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Erst am späten Nachmittag marschierten die Gladiatoren ins Stadion, ausgebildete und erfahrene Kämpfer, die nach festgelegten Regeln gegeneinander antraten.

Noch im 2. Jahrhundert, schätzen Historiker, lag die Chance zu überleben bei 90 Prozent. Die in Saintes bestatteten Menschen dürften zum ersten oder zweiten Programmpunkt gehört haben.

Allerdings fallen einige Gräber aus dem Rahmen. In ihnen fanden die Archäologen Eisenfesseln, die um Nacken oder Unterschenkel gelegt waren.

Das dürfte sie als Sklaven ausweisen. Zwei Skelette konnten bereits als Frauen- und zwei als Kinderkörper identifiziert werden.

Aber warum trugen sie Fesseln? Die Sklaverei gehörte zum Alltag in der antiken Welt. Sklaven wurden nur in Ausnahmefällen angekettet, etwa wenn Fluchtgefahr bestand.

Waren die Fesseln aus Metall, also ein Accessoire für eine besonders schreckliche Variante in den ersten Stunden der Spiele?

Mussten die Gefangenen gar als lebende Beute für Raubtiere herhalten? Oder waren es einfach Unfreie, die den Transport zum nahen Sklavenmarkt nicht überlebt hatten?

Die weitere Analyse der Knochen könnte Antworten liefern. The blurb casts this as "Jurassic Park" meets "Hunger Games. And I don't know about anyone else, but the gladiator seemed to look a lot like Toothless from "How to Train Your Dragon".

The entire premise for th I had high hopes for this one, but it never really came together for me. The entire premise for the novel is really far-fetched.

Genetic mutants competing in a gladiatorial competition as part of the Olympics? Honestly, how would this be any different than adding cock-fighting?

Or dog-racing or anything else featuring something besides people? It really needed to be an independent sporting event. Something new.

It was a poor decision to connect it with the Olympics; it makes absolutely no sense in the scope of the Olympics. They allow genetic manipulation in this event but none of the human ones.

And it's always in the United States. And it's attended by the President and other heads of state. Some of the science stuff sounds like it was copied right out of a biology textbook.

The description of gel electrophoresis stands out in my mind. As expected, the result was an unbroken fluorescence down the entire column of gel lane.

Benjamin then used the Southern blot technique to develop the reference standard he'd need later. Know your subject, please.

Kosmatka has some weird point-of-view work that I really didn't care for, characters popping up who may or may not have even been given a name and are never seen again.

Very often, it seemed like the alternate POVs only served to postpone the tension, instead of adding interesting side-plots or expanding upon what Silas knows.

This big, bad, exciting thing is about to happen and then -- we're farting around with Evan or whoever else. It annoyed me as a reader, and I started scanning through them.

Beyond Silas who really treads Marty Stu territory , the rest are bland and underdeveloped. I felt like the author went overboard trying to humanize Evan, and from a likability standpoint, I never empathized with him.

An evil supercomputer who thinks it's God, nice to see the author beating that to death. The gladiator is overpowered on every level and broke my threshold of disbelief for what's presented as plausible future technology.

It's a sloppy way to develop characters. Vidonia's introduction is rife with it, way to feed the perception that women are always judged on their looks first, as opposed to brains it's okay for Evan to be a smart, fat slob but Vidonia needs a face like something from a "fashion show".

It is refreshing, though, to see a woman of color in a major role, but it quickly became obvious that her major purpose was to help develop Silas via some contrived relationship.

As soon as they wind up sleeping together, her character is reduced to being his sexy plaything instead of being a smart scientist working on the project.

The ending tries to redeem her but it felt too little, too late. In spite of these flaws, the book wasn't too bad.

The action scenes are amazingly well written; the tension and imagery is so visceral, it puts the reader right there in the midst of it. And that's even with the predictable plot in that sense, comparing it to Jurassic Park does it no favors.

Many scenes only develop characters without furthering the plot, which might have been okay if they weren't so transparent in purpose.

As far as overall plot, not much happens until Part 3, when the gladiator competition actually starts. After that, it turns into something out of a B-rate sci-fi movie.

And could the denouement have been any more cliche? In summary, the novel never really gels. It's a techie mix of research and thriller with heaps of random melodrama for character-building.

The text is pulled in too many directions. If the plot had been tighter and more believable, this would've been a good book. Note- This is the second book I forget to add.

I started this one in May and finish of May of I might read this book again. Interesting beginning, long draggy pointless middle, predictable climax, probably exciting ending but I couldn't be bothered anymore.

Perhaps would work better in book form rather than as an audiobook because Scott Brick's narration didn't really evoke any sort of emotion from me maybe it's the plot at fault, I dunno other than 'uh-huh, so But at least the latter had a more interesting storyline with better atmospheric execution.

Did not finish this, maybe I'd finish listening to it just to prove something, maybe I won't, but either way, I think, one audiobook is enough for me.

He's another person that I have, on occasion, dined with, drank with and had grand discussions. Probably one of the most intellectual members of our group to become published, but also a down-to-earth kind of guy that you can simply sit down with and have an interesting discussion.

I am normally not fond of dystopian computer stories; at least, not since reading D. Like Heinlein, I believe that the computer is helpful to mankind.

It is mankind that slowly drags down the intellectual possibilities to its most base use. That said, Ted Kosmatka has written an engaging novel that has been published to fit right into the timeframe of the Olympic Games.

This tradition goes back millennia, not only among the Greeks, but among humanity for as long as they have been around. This is bloodless battle for tribal — or National — pride.

In this dystopia of the near future, someone has upped the stakes. They create impossible matches to do battle and slake the blood-thirst of a overstimulated and increasingly introverted society, hooked more on gadgets than on reality.

Ted takes the current state of affairs in popular culture where we are inundated with "reality" shows to make our own mundane lives seem more "normal", and extends it, props it against the event that prides itself in brotherhood and sportsmanship.

This work produces two effects among its characters; those that come to have a moral crisis over whether what they are doing and creating is ethical and those that become so utterly immersed in virtual reality that they are no longer able to function in the real world as we know it.

No, wait… there is a third. Yes, there is a third effect; that of politics and finance, which drives the other two to push things to an extreme where the ONLY thing that counts is to win, without thinking of the moral and ethical consequences of their actions and only concentrating on the political status and monetary power it will garner for those at the top.

Ted takes us down all those paths with this book to a frightening conclusion. The only conclusion, really. I recommend it wholeheartedly. This one had the potential to be great, but unfortunately it turned out not to be to my tastes.

I was hoping for more mad scientist-ish stuff, but instead got a lot of action- which is okay, but it felt like a cheesy action movie rather than a book.

The end was kind of crappy too, I mean view spoiler [a big nuclear explosion that destroys everything? Followed by an ambiguous epilogue in which we discover that - crikey!

Sorry, Arg. Sorry, but I think I've seen that ending in, oh Maybe I was losing interest, and I know I was skimming near the end, but I still don't really understand how Pea was connected to the events, and the gladiator.

Was the gladiator him, in real form? Or, being controlled by him? Or was it just that the computer designed the gladiator.

I don't know. And actually, I don't care. Tall people. Super computers. What more do you want? Naturally, Scott Sigler could have done this better, but it's not a bad read.

Genetic engineering used to be purely science fiction. The once-hypothetical question of how to deal with augmented athletes in events like the Olympics is no longer so hypothetical.

In The Games , Ted Kosmatka deals with the question in a simple way: no tinkering with the human athletes, but attach a single event that allows countries to showcase their skills at genetic engineering.

This is a blood m Genetic engineering used to be purely science fiction. This is a blood match between designer monsters, and the United States has taken the gold every time.

But the pressure is on to triumph again, and so the commission in charge takes control out of the hands of Silas Williams and has an experimental supercomputer design the monster instead.

I gave it a try anyway, and my estimation was almost spot-on. It simmers for the first half, carefully laying out all the threads that will come together for the bloody climax.

Then The Games discards that disguise in the second half to reveal itself as the adrenaline-fuelled thriller it wants to be.

There are some interesting ideas floating around here. The idea of designing creatures purely to fight to the death, while it rises moral qualms, is a fascinating look at the possible celebrity applications of genetic engineering.

These are all nice touches because they communicate a sense of difference without actually getting in the way of the story. Likewise, I enjoyed the philosophical tension inherent in the gladiator competition.

On one hand, this is the elevation of science to an art form. As Silas observes, this competition provides an opportunity for countries as well as individual scientists to show what they can do.

And the byproduct of all this time spent designing killer creatures is nothing to shake a stick at: medicines, new gene therapies, and all sorts of important scientific discoveries.

Although I can sympathize with the protesters outside the stadium, there is a lot to be said in favour of the competition. On the other hand, there is a darker side.

Winning the games has become a point of national pride for the United States. So Kosmatka sets up a very satisfying conflict on metaphysical as well as physical levels.

Unfortunately, I hated the resolution of this thriller. Is that cold and callous? Or is it merely a sign of how little I invest in one-dimensional thriller characters?

However, I wanted the bad guy to get his comeuppance in front of some kind of board of inquiry; I wanted him to answer for what he did.

Instead he gets incinerated in a rather impersonal nuclear blast. What kind of justice is that? Any hope The Games had of being anything more than a cheesy thriller went out the window the moment we learned the supporting character was an impossibly hot female scientist.

It restricts itself to a smaller cast of characters, to good effect, and its plot makes more sense, if it is somewhat dull in its plodding predictability.

As a work of science fiction, it raises interesting questions about issues that are on our doorstep.

But flat characters and an uncomplicated plot make this book difficult to praise as anything more than mediocre. The prologue to this book is very intriguing - though disturbing on several levels.

I was really ready to begin the rest of the story in chapter 1, but was disappointed with the manner in which Silas' character is introduced.

It almost seems as if readers were supposed to be impressed with Silas and the direction of the story, but I just couldn't stay interested.

The gladiator "monstrosity" that comes out of the cow at the beginning was a built-up moment that fell flat on its face as soon as wer The prologue to this book is very intriguing - though disturbing on several levels.

The gladiator "monstrosity" that comes out of the cow at the beginning was a built-up moment that fell flat on its face as soon as were treated to the full description of the creature.

I can't say that I was able to stay engaged with this novel. It was just too busy and all over the place for me.

As for providing additional constructive criticism, I didn't enjoy my time with the novel; therefore I'll waste no more time in going on about its shortcomings in a review.

I received this book for free through Goodreads First Reads. The choice was easy this month. It isn't even fantasy.

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Gladiatoren in antiken Zeugnissen. Während die Kämpfe gegen exotische Tiere eine Sache für das Vorprogramm waren, traten die Stars der Arena erst am späten Nachmittag auf.

Zwar kämpften die hochtrainierten Profis um Leben und Tod, hatten aber gute Chancen, den Tag zu überleben. Im Laufe der Zeit drängten sich auch Freie in die Arena.

Sie wurden gut ausgebildet und hatten die Chance, zu Superstars aufzusteigen. Gladiatoren waren hochspezialisiert: Retiarius gegen Scissor.

Quelle: Lutz Langer at de. Hatte der Unterlegene nach ihrer Meinung gut gekämpft, dann forderten die Zuschauer, ihn am Leben zu lassen. Allein im Westen des Imperiums lag die Zahl dieser Arenen bei Die Ruinen des Amphitheaters von Saintes.

Bis zu Mehr zum Thema. Geschichte Kulturgeschichte So gewalttätig war die Antike wirklich. Geschichte Gladiatoren So blutig mochten es nur die Römer in der Arena.

Themen Kulturgeschichte. Sprecher Gulan Waren Rauchbrenner der ewigen Pein 2. Feuerwächter Erhaltet News-Beiträge zum Thema. World of Warcraft News.

Juli bis 4. WoW Shadowlands. Shadowlands Patch 9. Beliebte Artikel. Abgesandter von Ordos Erfolge.

4 comments

  1. Tern

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  2. Gozilkree

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  3. Marg

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  4. Meztik

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